Saturday, October 25, 2025

Americana

  







 F U R     T R A D E R S               1 8 4 5

      

George Bingham               1811 - 1879


A French fur trader and his mixed-heritage son ply

their trade on the tranquil waters of the Missouri River.

Is that a bear cub or cat tied to the dugout canoe?

The trader wears a liberty cap - popular among

19th century French Revolutionaries because

it stood for freedom.


This is one of a number of paintings Bingham sent to

New York from his home in Missouri.  The people

back East loved Bingham's idealized portraits of 

the American frontier.  








 D R.   G R O S S '   C L I N I C               1 8 7 5


 Thomas Eakins               1844 - 1916


Philadelphia's celebrated surgeon, Dr. Samuel Gross,

removes an infected bone from the patient's hip

using his revolutionary procedure that replaced the

current practice of amputation as remedy.  No one in 

attendance wore masks or gloves as the surgery was

performed prior to the appreciation of sterile techniques.


Eakins is among those best representing the school

of American realism.









D A S H   F O R   T H E   T I M B E R               1 8 8 9


 Frederic Remington               1861 - 1909


Remington portrayed the cowboy in epic scenes 

taken from stories of the Open Range where cattle were

driven five hundred miles to railheads in Abilene and

Wichita.  There the cattle were herded onto wooden

freight cars, pulled by steam locomotives, destined

for the meat packing plants of Chicago.


Remington portrayed the cowboy as an individualist...

independent, self-reliant.  But also someone who

would give you the shirt off his back if need be.









 G U L F   S T R E A M               1 8 9 9


 Winslow Homer               1836 - 1910


A lone man awaits his fate as his fishing boat lurches

about in storm-tossed seas, both rudderless and

without a mast.  A fearsome waterspout appears to

close in while hungry sharks circle the stricken vessel.

On the horizon a large sailing ship passes

unaware of the life and death drama unfolding

a short, rescuable distance away.


Winslow Homer was a New Englander with years

of experience sailing about the sometimes treacherous

seas of the Caribbean. 








 R E D   C A N N A               1 9 2 3


 Georgia  O'Keeffe               1887 - 1986


Red Canna 1923 was among O'Keefe's earliest

close up portrayals of flowers, providing them 

with an impact both monumental and sensual.

It was a modern still life, abstract and without

need of realistic detail.  


"I paint because color is significant."

Georgia O'Keeffe








 A C H E L O U S   A N D   H E R C U L E S               1 9 4 7


Thomas Hart Benton               1889 - 1986


Achelous, Greek god controlling the rivers, is depicted

as a fierce bull being restrained by Hercules in this parable

about the Army Corps of Engineers' attempt to control

the flooding Missouri River.  A horn is ripped from the 

bull's head and it, in turn, becomes the Cornucopia of 

Plenty for the people of the surrounding valley.

It sounds like a splendid topic for a large public mural.


Hart's painting undulates with energy, and the robust

certainty of an MGM movie musical.


Oklahoma! 


All for one and one for all.




*  *  *  *  *






©  Tom Taylor






 

OVER   EASY

 

 

coldValentine

  




Saturday, October 18, 2025

Masks

  







A  F  R  I  C  A  N


 The wearer takes on the spirit of the mask.

In this instance, the wearer brings justice

to wrongdoers.








Warrior Mask


 The Bobo people of western African are mostly

farmers of grains and yams.  They settled the area

around the Ivory Coast some twelve hundred years 

ago, having migrated from a more drought plagued

land.


You will find no mask among them with a god image.

For the Bobo, the Creator of all being possesses

a power that places it beyond all description

and it can have no image.








Historic Revolution

 Over four thousand years ago the Bantu people

flowed out of Nigeria into the surrounding lands,

bringing with them the breakthrough technology of

agriculture.  No longer would you have to spend your life

wandering the jungle and savannah in search of your prey.

You could stay put because you grew your own food.


Family groups grew into communities, villages and

then towns.  Artists could do things like sculpt rock.

A politically centralized system of government 

developed.  Civilization arrived.


People had homes.








S  I  C  K  N  E  S  S      M  A  S  K


 Performers of the Pende people wear these masks

depicting illness to dramatize lessons on morality

and for promoting good social behavior.

The images are contorted in pain from the conflict

that rages within.  It is the forces of hope and

survival doing battle with disease and witchcraft.








Q  U  E  E  N     M  O  T  H  E  R


 In the Kingdom of Benin it was tradition to execute

the Queen Mother once her son was crowned king.

Queen Idia's two sons fought a civil war for the throne

once her husband, the King, died.  The support

she gave one son made all the difference in defeating

his brother for the crown.  Grateful, the King had his 

mother go into hiding until he was able to abolish

the law that called for murdering Mom.

 






 

Elaborate Masks


 The Yaka people of the Congo region are mostly 

Christian - Roman Catholic in practice.  Still, 

their native spiritual heritage has a strong influence.

It is a conservative society with women working

the land during the day while the men hunt animals

using their dogs.


These masks are an art with nomadic heritage.

It was an artform originating with people 

always on the go.




*  *  *  *  *





©  Tom Taylor







 

OVER   EASY


 


coldValentine




Saturday, October 11, 2025

Vincent

  






 

T H E     S O W E R          1 8 8 8



Letters from van Gogh to his brother, Theo.







 

 I think what you say is true, that my work must get

much better still.  As to its being salable or unsalable,

that is an old file on which I do not intend to blunt

my teeth - but at the same time I will tell you frankly that

your energy to sell them might also be more sustained.

You have never sold a single one for me - neither 

for much nor for little.  In fact, you did not even try.







 When I began to work I had plenty of canvases, and

Tanguy was very good to me.  To do him justice,

he is just as good still, but his old witch of a wife

got wind of what was going on and opposed it.

All the same, he will do whatever I want of him.








 Exaggerated studies such as the 'Sower' and the 

'Night Cafe', usually seem to me atrociously ugly and bad.

The picture of the 'Night Cafe' is one of the ugliest I have

done.  It is the equivalent, though different, of the 

'Potato-Eaters'.  But when I am moved by something,

as now by a little article on Dostoyevsky, these are 

the only ones which appear to have any deep meaning. 







 There is a book of Tolstoy's called 'My Religion'.

He does not seem to believe in a resurrection either

of the body or the soul.  Above all he seems not to 

believe in heaven - he reasons just as a nihilist reasons, 

but he attaches great importance to doing whatever 

you are doing, since probably it is all there is in you.

And if he does not believe in the resurrection, he seems

to believe in the equivalent - the continuance of life,

the progress of humanity - the man and his work almost

infallibly continued by humanity in the next generation.








 Because I am always bowed down under this difficulty

of paying my landlord, who after all isn't a bad fellow,

I swore at him and told him that to revenge himself

for paying him so much money for nothing, I would

paint the whole of his rotten shanty.  Then to the 

great joy of the landlord, of the postman, of the 

visiting night-prowlers, and of myself, for three nights

running I sat up to paint and went to bed during 

the day.







 It astonishes me when I compare my condition

with what it was a month ago.  I knew that one 

could fracture one's legs and arms and recover, 

but I did not know that you could fracture the brain

in your head and recover after that too.  I still have

a sort of "What is the good of getting better?" about

me, even in the astonishment that getting well

arouses in me.  


But the unbearable hallucinations have ceased,

and have now reduced themselves to a simple 

nightmare, by dint of my taking bromide of potassium,

I think.



*  *  *  *  *





©  Tom Taylor






 

OVER   EASY

 

 

coldValentine







Thursday, October 9, 2025

happy birthday jack!

  






 

D  R  A  G  O  N     F  L  Y

 

 B I O C H E M I S T R Y     W I T H     6     L E G S     A N D     4     W I N G S


H a p p y     B i r t h d a y !

J A C K



love 

   dad


coldValentine




Saturday, October 4, 2025

destiny unfolds

  






 

 VENUS OF WILLENDORF          AUSTRIA     30,000 BCE


Hard Life Beauty


This ancient artist's erotic desires closely matched

Darwinian specifications for a high endurance specimen

of human female built to overcome extreme hardship.

She would be big boned and husky, able to survive

multiple childbirths.  Everything she ate over the

summer would convert to body fat, providing the 

calories needed to outlast the long, snowy winter -

living on to provide the family a child in the spring.


The characteristics that maximize a species'

chance of success in its environment are

often genetically prescribed in male fantasy.

The same principle holds true for women's 

fantasies, as well.







 

Ancient Egypt.


The beginnings of recorded history.

What better way to communicate with a vast, 

illiterate population than with picture words.

They are interesting, colorful and easy to learn.

Human depiction, like all other words, must follow

rules of convention.  For instance, both shoulders

must be fully presented no matter the pose struck

by the individual.


Functionality was the primary purpose of Egyptian art

but aesthetics also had its role.







 

A craftsman is skilled working with his hands.


An artist of ancient Greece attempted to portray

something exalted.  The classicists of the time

believed they were portraying perfection.

The humans sculpted from stone bore features

worthy of gods.


The Greco-Roman artist had to strictly adhere to

depicting a balanced form.  Art represented what

was believed to be eternal and universal in scope,

while also demonstrating love of reason, objectivity

and restraint.







 

 ANATOMY LESSON OF DR. TULP          REMBRANDT     1632

 

The politics of Mount Olympus are here replaced

by a group of surgeons watching the dissection of

a human corpse.  Rembrandt made good money

providing portraits for the wealthy merchants of

Amsterdam.  His settings were often unconventional,

even irreverent in treatment, but he was loved

  because his subjects were ennobled by his treatment

of them with oils.







 
THE PLUM          EDOUARD MANET     1877

 

Capturing the moment.

The immediacy of a photograph together with the

sensual pleasure of having it recorded in quick,

decisive brushstrokes of oil.  An artist's impression

lifted by accolades to the realm of fine art.


Look at her.

Untouched sherbet.  Unlit cigarette.

She's not off in a daydream.  

She's bored and ignored.

The guy that brought her here is over at 

a distant table flirting with another woman.


The men she falls for always leave her in the lurch.

When will she ever learn?








 
  O P E N     A L L     N I G H T


It's coffee and a fresh pack of smokes for the couple

at the far end of the counter.  The soda jerk talks about

the Cubs but the couple barely pay attention, satisfied

with merely being together in this weary hour of night.

Further down the counter a man sits alone with 

his thoughts.  His back is your only view of him.


"If you could say it in words there would be 

no reason to paint it."

Edward Hopper




*  *  *  *  *




©  Tom Taylor






 

EVER   EASY

 


coldValentine