Showing posts with label Michelangelo. Show all posts
Showing posts with label Michelangelo. Show all posts

Thursday, March 29, 2012

Michelangelo's Sistine Ceiling

Michelangelo Buonarroti
1475 - 1564
Sistine Chapel Ceiling 
1508 - 1512
C L I C K     T O     E N L A R G E

Picture:  1267 x 850  -  Columbia University
  • Vatican, Vatican City
  • Sistine Chapel
  • Fresco
  • 45 x 128 feet

And Noah began to be an husbandman, and he planted a vineyard.  And he drank of the wine, and was drunken; and he was uncovered within his tent.  And Ham, the father of Canaan, saw the nakedness of his father, and told his two brethren without.  And Shem and Japeth took a garment, and laid it upon both their shoulders, and went backward, and covered the nakedness of their father; and their faces were backward, and they saw not their father's nakedness.
Genesis 9: 20 - 23

Picture:  1176 x 745 at 200 dpi  -  Kwing Hung


Picture:  782 x 495 at 600 dpi  -  Olga's Gallery


And every living substance was destroyed which was upon the face of the ground, both man, and cattle, and the creeping things, and the fowl of the heaven; and they were destroyed from the earth:  and Noah only remained alive, and they that were with him in the ark.
Genesis 7:23

Picture:  712 x 826 at 96 dpi  -  Wikimedia


Picture:  922 x 1000 at 300 dpi


Picture:  1835 x 900 at 300 dpi  -  Free Christ Images


And Noah builded an alter unto the Lord; and took of every clean beast, and of every clean fowl, and offered burnt offerings on the altar.  And the Lord smelled a sweet savour; and the Lord said in his heart, I will not again curse the ground any more for man's sake; for the imagination of man's heart is evil from his youth:  neither will I again smite any more every thing living, as I have done.
Genesis 8:  20 - 21

Picture:  1132 x 780 at 300 dpi  -  WGA


Picture:  1149 x 770 at 300 dpi  -  Wikipedia


And the Lord God said, Behold, the man is become as one of us, to know good and evil:  and now, lest he put forth his hand, and take also of the tree of life, and eat, and live for ever:  Therefore the Lord God sent him forth from the garden of Eden, to till the ground from whence he was taken.  So he drove out the man; and he placed at the east of the garden of Eden Cherubims, and a flaming sword which turned every way, to keep the way of the tree of life.
Genesis 3:  22 - 24

Picture:  700 x 600  -  photoWall


Picture:  1073 x 1090  -  TerminArtors


Picture:  1537 x 770  -  Public Domain Photos


And the Lord God caused a deep sleep to fall upon Adam, and he slept:  and he took one of his ribs, and closed up the flesh instead thereof; And the rib, which the Lord God had taken from man, made he a woman, and brought her unto the man.
Genesis 2:  21 - 22

Picture:  1086 x 771 at 300 dpi  -  Ad Imaginem Dei


Picture:  1600 x 1177  -  Reddit


And the Lord God formed man of the dust of the ground, and breathed into his nostrils the breath of life; and man became a living soul.
Genesis 2:7

Picture:  1303 x 670 at 300 dpi  -  UCLS


Picture:  1303 x 670 at 300 dpi  -  UCLS



Picture:  1303 x 670 at 300 dpi  -  UCLS



Picture:  1200 x 802  -  Michelangelo Paintings


And God said, Let the waters under the heaven be gathered together unto one place, and let the dry land appear:  and it was so.
Genesis 1:9

Picture:  1085 x 820 at 96 dpi  -  Wikipedia


Picture:  1085 x 820 at 96 dpi  -  Wikipedia


And God made two great lights; the greater light to rule the day, and the lesser light to rule the night:  he made the stars also.
Genesis 1:16

Picture:  1085 x 820 at 96 dpi  -  Wikipedia


Picture:  1085 x 820 at 96 dpi  -  Wikipedia



And God said, Let there be light:  and there was light.  And God saw the light, that it was good: and God divided the light from the darkness.  And God called the light Day, and the darkness he called Night.
Genesis 1:  3 - 5

Picture:  834 x 1050 at 96 dpi  -  Wikipedia


Picture:  1474 x 1100 at 300 dpi  -  WGA


Michelangelo gave visual expression to the words of Genesis.  As he proceeds across the ceiling in reverse order, from the drunkenness of Noah to the dividing of light and dark, he grows in confidence as a painter and his figures loom larger and dramatically foreshortened.  It was a project Michelangelo would never have undertaken without the fierce dominating insistence of Pope Julius II.  




Friday, March 23, 2012

David and Goliath

David by
Caravaggio, Michelangelo, Donatello, Bernini

1 Samuel 17:45 – 47

Then said David to the Philistine, Thou comest to me with a sword, and with a spear, and with a shield:  but I come to thee in the name of the Lord… the Lord saveth not with sword and spear:  for the battle is the Lord’s, and he will give you into our hands.

C L I C K     T O     E N L A R G E 

Caravaggio, Michelangelo Merisi da
1571 – 1610
David with the Head of Goliath
1607 or 1609/10
Oil on canvas:  49.25 x 39.4 in / 125.1 x 100.1 cm
Galleria Borghese, Rome
Picture:  1616 x 2000  -  Wikipedia

Like Rembrandt, Caravaggio uses a theatrical contrast between light and dark to isolate his subject and give it a dramatic focus.


Pieta
1498 – 1500
Picture:  1584 x 1660  -  Wikipedia

The triumph of Michelangelo’s Pieta brought the 26 year old sculptor to the attention of the directors of Duomo, the Florence Cathedral.  They had a tall, shallow and flawed piece of marble that had been sitting around for nearly fifty years.  What was the harm in asking this brilliant artist if he’d create for them David from stone. 


Michelangelo, Buonarroti
1475 – 1564
David
1501 – 4
Marble:  13 ft 5 in / 4.08 m
Galleria dell’Accademia, Florence
Picture:  2080 x 3448  -  Wikipedia

David is a determined champion of a just cause contemplating his adversary, Goliath.


David – Head
Picture:  882 x 1200 at 150 dpi  -  SUNY

The body shows an almost calm repose while the face reveals tension and pent up aggression.  There is the calculated focus of his look just prior to the release of lethal energy. 


Donatello – Donato di Niccolo
1386 – 1466
David
1425 – 30
Bronze:  62.25 inches / 158 cm
Museo Nazionale del Bargello, Florence
Picture:  1066 x 1719 at 300 dpi  -  Wikipedia
  
It’s going to take both arms for this kid to just lift his sword.  A victory over Goliath is clearly God’s.  This sculpture is pure allegory.  Donatello’s work has its merits but they have nothing to do with depicting the Biblical David, second king of Israel, stepping forth from the ranks of Saul’s army to challenge the Philistine giant.  Lose the hat.  But I’m being too literal, aren’t I? 


Bernini, Gianlorenzo
1598 – 1680
David
Marble:  lifesize
Galleria Borghese, Rome
Picture:  500 x 659 at 96 dpi  -  Gilman School
  
Bernini’s David is in the act of delivering a fatal missile to Goliath’s head.  Where Donatello’s David relies too much on the hand of God to defeat Goliath, this David could almost go it alone.  He doesn’t need a sword, spear or shield because he’s got one heck of a wind up and powerful arm.  Put pinstrips on him and he’s starting pitcher for the Yankees.


David – Head
Picture:  545 x 418 at 96 dpi  -  Nosso Vinho

Bernini’s David stands alone in capturing the moment of decisive action as opposed to a study of contemplation.  Exertion overwhelms the inner life’s portrayal save for a determined focus on purpose.

Caravaggio mutes the moment of triumph with an air of compassion for the fallen warrior.  Donatello attires a pubescent boy as champion of his Biblical people.  Bernini provides a study of the body at its pinnacle prior to delivering maximized energy.  Michelangelo provides a more classical Greek figure but with a face that expresses an inner life.  Four artists whose inclinations are modeled by the passage of 1 Samuel about virtue and strength.